Jumat, 30 Agustus 2013

Review - Getaway


Should Have Been A Video Game

Getaway, starring Ethan Hawke and Selena Gomez, is not a movie.
Getaway (in theaters 8/30/13)


Rarely do I start out a review with such a bold statement.

But here’s the deal…a movie has a plot. A movie has a story that you invest your time and effort into for 90 minutes (give or take) and come away feeling something.  A movie takes you to a far off land and shows you things that intrigue you. A movie has many things that Getaway does not have.

HOWEVER (that’s like a big word for BUT), it DOES have probably the biggest amount of gritty real stunt work that I have seen in a film in recent years. 

Here’s the short version of the story. Brent’s (Hawke) wife has been abducted and he’s set off on a number of tasks around town in a stolen car. The tasks seem pointless…but they fit the story. In the midst of the chase around Bulgaria (yes Bulgaria) Selena Gomez pops in the car. Now I would normally use a character name here, but it’s not that it doesn’t matter…they just don’t come up with one (that I could remember).

It looks like she is trying to carjack Brent, but instead there is a convoluted explanation for her being there and they set off on the missions that the voice gives them. 

There is destruction of a WHOLE LOT of property, but not a ton of injuries to people, Brent is a trained racecar driver (or so we’re told). And he’s got one thing on his mind. Save his wife. Does he?

Let me review this two ways. When you look at the whole film from the standpoint of a movie, a complete package, it’s not very good at all. The shortcomings far outstrip the cool aspects.

BUT – try this on for size. View the film as a NASCAR race where you see constant in car views and crashes abound. For that, it’s ok. 

Really there are three actors here (sure other bit parts exist) but there is only Ethan Hawke (very typical in his performance), Selena Gomez (young and needed direction and more than just what felt like an adlibbed role), and Jon Voight (largely heard without being seen). This movie could throw anyone in these three roles and have the same result. I hold out hope for better for Gomez in the future. I know Hawke and Voight are better than what we get here.

So the bottom line, I’m being generous cuz I liked the gritty old school stunt car work, it’s video game fun (I could see this as a cool video game where dialogue, chemistry and plot are unimportant) but it lacks what it takes to be a major player in the action movie marketplace (even in the end of summer).


C-

Getaway

Director: Courtney Solomon
Cast: Ethan Hawke, Selena Gomez, Jon Voight

Rating: PG-13 for intense action, violence and mayhem throughout, some rude gestures and language.
Runtime: 1 hour 30 minutes



Kamis, 29 Agustus 2013

Milwaukee Film Festival 2013 - Shorter is Better


 The release below comes from the folks at Milwaukee Film. The Shorts programs have been announced and are a lot of fun. If you've never been to a shorts program, I urge you to pick a topic that you tend to enjoy and check it out. No, you probably won't like everything over the 80 minutes or so you are there, but if you don't like one short film...the next one is only a couple minutes from starting. Short films are amazing to get a peek at on the big screen and many are truly special! Here's the release from Milwaukee Film on this year's shorts, enjoy.



Milwaukee Film Festival Announces 2013 Shorter Is Better Line-up
More than 60 of the best festival-circuit shorts featured through eight themed programs.

MILWAUKEE – Thursday, August 29, 2013 – The Milwaukee Film Festival, presented by the Milwaukee Journal Sentinel, is excited to announce the line-up for its short film program, Shorter Is Better. Featuring more than 60 of the best shorts from all over the world divided into eight themed mini-programs, Shorter is Better not only provides the festival audience with a rare chance to view work from masters of the short format, but also a first glimpse at many future feature directors.

“The short film format has always been the place to find truly remarkable and inventive storytelling,” says Shorts Programmer & Development Coordinator Anna Sampers. “And the film festival is not just your best chance to see them how they were meant to be seen — in a theater — but oftentimes the only way you can see them at all!”

The 2013 Shorter Is Better line-up includes several annual favorites: Date Night, Let’s Get Animated, and Out of This World and The Best Damn F*#@ing Midnight Program Ever. Sh*t. New programs for this year include: …Make Lemonade, Modern Families, Obsession, and the short documentary collection Stranger Than Fiction.


For more information on Shorter Is Better and the rest of the 2013 Milwaukee Film Festival, visit mkefilm.org.


Shorter Is Better Media Sponsor: Tap Milwaukee

SHORTER IS BETTER LINE-UP:


Shorts: The Best Damn F*#@ing Midnight Program Ever. Sh*t.
Total running time: 83 min
YOU ARE NOT PREPARED. Films too demented for the light of day will get their chance to leave you howling with fear or laughter as a torrent of sex and violence unspool before your very eyes. NOTE: Polite, functional members of society will not be admitted to this screening. BYOD (Bring your own diapers).


The Apocalypse (USA / 2012 / Director: Andrew Zuchero)
The Cub (USA / 2012 / Director: Riley Stearns)
Flytopia (United Kingdom / 2012 / Director: Karni Arieli, Saul Freed)
Hell No (USA / 2013 / Director: Joe Nicolosi)
It’s Not You, It’s Me (USA / 2012 / Director: Matt Spicer)
Oh Sheep! (Germany / 2012 / Director: Gottfried Mentor)
Perfect Drug (Belgium / 2012 / Director: Toon Aerts)
Sea Pig (USA / 2013 / Directors: Andrew Gilchrist, Jesse Allen)
Swarming (Kuhina) (Finland / 2011 / Director: Joni Männistö)
  
Shorts: Date Night
Total running time: 95 min
L'amour. Eros. A lie perpetuated by Meg Ryan and Hallmark. Call it what you will, these portraits of love in all its awkward glory (from meet cute to leave ugly) make for the perfect night out for lovebirds young and old as well as optimistic singles looking to mingle (responsibly, in the theater lobby).


The Bird Spider (La Migala) (Spain / 2011 / Director: Jaime Dezcallar)
CRUSH 472 (United Kingdom / 2013 / Director: Jess Scott-Hunter)
The Date (Treffit) (Finland / 2012 / Director: Jenni Toivoniemi)
Ellen Is Leaving (New Zealand / 2012 / Director: Michelle Savill)
Routine (Rutina) (Spain / 2012 / Director: Ana Ortiz)
Taboulé (Spain / 2011 / Director: Richard García)
Ten Thousand Days (New Zealand / 2012 / Director: Michael Duignan)
Tram (France, Czech Republic / 2012 / Director: Michaela Pavlátová)
Undress Me (Ta Av Mig) (Sweden / 2013 / Director: Victor Lindgren)
  
Shorts: Let’s Get Animated
Total running time: 82 min
Boles
The only limit is your imagination when it comes to these animated offerings — a veritable cornucopia of color and style that will take you from DIY homemade curiosities all the way to the best animation that computer graphics have to offer. The only things more diverse than the forms on display are the remarkable stories they've chosen to tell.


Bird Food (Ireland / 2012 / Director: Richard Keane)
Boles (Germany / 2013 / Director: Spela Cadez)
I Am Tom Moody (United Kingdom / 2012 / Director: Ainslie Henderson)
Irish Folk Furniture (Ireland / 2012 / Director: Tony Donoghue)
Jonah (Tanzania, United Kingdom / 2012 / Director: Kibwe Tavares)
Marcel, King of Tervuren (USA / 2012 / Director: Tom Schroeder)
Oh Willy… (Belgium, France, Netherlands / 2012 / Directors: Marc James Roels, Emma De Swaef)
Palmipedarium (France / 2012 / Director: Jérémy Clapin)

Shorts: …Make Lemonade

Total running time: 88 min
Walking The Dogs
Unless you're George Clooney, things don't always go the way you've planned. But if you take the bitter life has to offer and transform it into sweet, you might just have a chance at happiness. These protagonists are facing upheaval of various types; it's up to each of them to make the most it.


All Souls’ Day (Swieto Zmarlych) (Poland / 2012 / Director: Aleksandra Terpińska)
Fear of Flying (Ireland / 2012 / Director: Conor Finnegan)
Keys. Wallet. Phone. (Germany / 2012 / Director: Juliet Lashinsky-Revene)
Summer Vacation (Hofesh Gadol) (Israel / 2012 / Directors: Sharon Maymon, Tal Granit)
Walking the Dogs (United Kingdom / 2012 / Director: Jeremy Brock)

Shorts: Modern Families
Total running time: 84 min
Family. Can't live with 'em — well, that about sums it up, I think. These explorations take the nuclear family of the '50s and detonate it: Funny and sweet, heartbreaking and mature, these shorts are for anyone whose family keeps them going and drives them crazy in equal amounts. *Some shorts contain adult themes. This program is not intended for children.


Anna and Jerome (France / 2012 / Director: Melanie Delloye)
Do I Have to Take Care of Everything? (Pitaako mun Kaikki Hoitaa?) (Finland / 2011 / Director: Selma Vihunen)
Dotty (New Zealand / 2012 / Directors: Mick Andrews, Brett O’Gorman)
F**k the Parents (USA / 2012 / Director: Ethan Kuperberg)
Grandpa and Me and a Helicopter to Heaven (Morfar och jag och helikoptern till himlen) (Sweden / 2013 / Directors: Asa Blanck, Johan Palmgren)
Mobile Homes (USA, France / 2013 / Director: Vladimir de Fontenay)
Mud Crab (Australia / 2012 / Directors: Igor Coric, Sheldon Lieberman)
My Favorite Picture of You (USA / 2013 / Directors: Dan Lindsay, T.J. Martin)


Shorts: Obsession

Total running time: 89 min
ob·ses·sion: Noun/əb'seSHən/ An idea or thought that continually preoccupies or intrudes on a person's mind. Whether it's a desire to protect one's family, see the big city, follow their dreams or inappropriately lust after their hot aunt, the subjects of these shorts are obsessed. And before this program is through, you'll be too.


Dumpy Goes to the Big Smoke (Australia / 2012 / Director: Mirrah Foulkes)
Eating Lunch (Äta Lunch) (Sweden / 2012 / Director: Sanna Lenken)
Georgena Terry (USA / 2012 / Director: Amanda Zackem)
GUN (USA / 2012 / Director: Spencer Gillis)
Peach Juice (Canada / 2012 / Directors: Callum Paterson, Nathan Gilliss, Brian Lye)
The Roper (USA / 2012 / Directors: Ewan McNicol, Anna Sandilands)
The Tuner (O Afinador) (Brazil / 2012 / Directors: Fernando Camargo, Matheus Parizi)
Woody (Australia / 2013 / Director: Stuart Bowen)

Shorts: Out of This World
Total running time: 91 min
You're about to enter another dimension: Supernatural, impossible and just plain bonkers, these shorts embrace the unknown and present us with a vision that is out of this world. Fans of the unknown take heed: These shorts will transport you to places you've never been — you're about to enter the MFF Shorts Zone.


The Captain (Australia, USA / 2013 / Directors: Nash Edgerton, Spencer Susser)
Catnip: Egress to Oblivion? (USA / 2012 / Director: Jason Willis)
Delicacy (USA / 2012 / Director: Jason Mann)
Dust (United Kingdom / 2013 / Directors: Ben Ockrent, Jake Russell)
Edmond Was a Donkey (Edmond Était un Âne) (Canada, France / 2012 / Director: Franck Dion)
Hotel (Spain / 2012 / Director: Jose Luis Aleman)
Record/Play (United Kingdom, Bosnia / 2012 / Director: Jesse Atlas)
Shelved (New Zealand / 2011 / Director: James Cunningham)
Ufologist (USA / 2012 / Directors: Ewan McNicol, Anna Sandilands)


Shorts: Stranger Than Fiction
Total running time: 102 min
These documentaries, no matter how outlandish they may initially appear, are 100% real. The true story behind a photo that defined a generation, the sublime art of pigeon catching, the promise of cryogenics? All of it true, all of it amazing. Yes, these people and situations exist. Believe it.


Eddie Adams: Saigon ‘68 (USA / 2012 / Director: Douglas Sloan)
The Flogsta Roar (Flogstavrålet) (Sweden / 2013 / Director: Johan Palmgren)
Mr. Christmas (USA / 2012 / Director: Nick Palmer)
Pouters (United Kingdom / 2012 / Director: Paul Fegan)
Unravel (United Kingdom, India / 2012 / Director: Meghna Gupta)
Vladimir Putin In Deep Concentration (USA / 2013 / Directors: Dana O’Keefe, Sasha Kliment)
We Will Live Again (USA / 2013 / Directors: Joshua Koury, Myles Kane)


The 2013 Milwaukee Film Festival runs September 26 – October 10, 2013 at the Landmark Oriental Theatre, Landmark Downer Theatre, and Fox-Bay Cinema Grill. Passes and ticket 6-packs for the 2013 Milwaukee Film Festival are currently available at discounted rates exclusively online at mkefilm.org/tickets. Festival passes and 6-packs are selling quickly, with early numbers already surpassing the total sold in all of 2012.

Tickets for individual screenings will be available through Milwaukee Film Festival Box Office starting September 11 for Milwaukee Film Members and September 12 for the General Public.


Stay tuned to the website for more on what to see -- and future announcements from my friends at Milwaukee Film.



Rabu, 28 Agustus 2013

Review - Closed Circuit


Don’t Close the Door On This Conspiracy

It doesn’t seem like it’s been that long since the explosions in Boston and the ensuing manhunt that led to one captured suspect. Now a film goes into a fictitious explosion in another country and the
Closed Circuit, Opens 8/28/13
ongoing legal journey to bring the culprit to justice.

An explosion rocks Britain in a market and the bomber is in custody. Now it’s off to the legal systems and the complex weavings of what is ok, and not ok to make public.

In this film, we get a look behind the scenes at the British justice system. When matters of national security may be compromised by the revelation of secret information, two different lawyers work for the defendant. For this case one, Martin Rose (Eric Bana) is new on the case after an unfortunate accident befalls his predecessor. His job is to defend his client to the best of his ability in open court. The Second lawyere Claudia Simmons-Howe (Rebecca Hall) is there to hear the secret testimony that the government has that it doesn’t want revealed in open court. If she sees fit, it is her job to make sure that information is argued to be public, although she cannot speak with the other counselor.

Yep – confusing to say the least.

Why would a system not let the two lawyers representing a defendant talk to each other?

But I digress…

As the two lawyers independently investigate the facts, they find some secrets that should best be kept secret and some conspiracies that might change the dynamic of the whole case.

Will the legal system work or are the secrets too deep for even these two ambitious lawyers to overcome?

Let me say – up front – I have this fun fascination with conspiracy theories. Even the wackiest ones have some foundation in truth and that’s what makes them fun. The conspiracy plot in the film is well crafted and had me chomping at the bit for more.

I don’t understand this legal system though. To me the legal system being portrayed seems antiquated and truly unsatisfactory. That part of the film bothered me as the idea of two lawyers, both with the same objective, not being able to talk to each other played out onscreen.

I wish they would have played more with the Jim Broadbent character – I really dug him. And I believe they could have gotten more legs out of the closed circuit footage of the bombing, the opening sequence was extremely fascinating to see unfold before our very eyes with a number of camera angles.

That said, this was a tight 90-minute film that will have even the most die hard conspiracy fans enjoying. All good conspiracies allow for the viewer to interpret information, and Closed Circuitdoes not disappoint on that level.

B


Director: John Crowley
Starring: Eric Bana, Rebecca Hall, Jim Broadbent, Julia Stiles

Rating: R for language and brief violence
Runtime: 1 hour 36 minutes

Selasa, 27 Agustus 2013

Milwaukee Film Festival 2013 - Cream City Cinema

Ok, I'm not going to lie -- this is one of my FAVORITE aspects (well that and the documentaries the festival brings in) of the Milwaukee Film Festival. It's amazing what you can find in your own backyard.  -p
 

Milwaukee Film Festival Announces 2013 Cream City Cinema Line-up
Popular annual local filmmaker showcase features new shorts and features, awards juried prize.

The wildly popular annual showcase screens brand new work from Milwaukee-based filmmakers, and awards one lucky winner a yearlong Filmmaker-in-Residence prize.

“We pride ourselves on the strength of our local filmmaker showcase. These screenings rank among our most successful festival events every year,” explains Jonathan Jackson, Artistic & Executive Director of Milwaukee Film. “It’s amazing to see such a concentration of great filmmaking talent here in Milwaukee, and equally amazing to see so much support from the community-at-large.”


This year’s Cream City Cinema showcase includes three feature-length documentaries, two feature-length fiction films, and The Milwaukee Show—our annual screening of locally-made short films, and always one of the most well-attended screenings of the entire Milwaukee Film Festival.

The Cream City Cinema line-up this year also includes The Milwaukee Youth Show, the festival’s second annual showcase for under-18 filmmakers in and around Milwaukee.

In addition a yearlong Filmmaker-in-Residence prize is awarded to the jury winner, which includes a $5000 cash prize, and a production services package valued at more than $20,000 to help the winner produce their next film. Past winners include Chris James Thompson (2012), Michael Hawkins-Burgos (2011), Tate Bunker (2010), and John Roberts (2009).


CREAM CITY CINEMA LINE-UP:


Billy Club

(USA / 2013 / Directors: Drew Rosas, Nick Sommer)

A throwback to the slasher films of the 1980s, Billy Club is the latest splatter pic from Nick Sommer and Drew Rosas (having previously worked together on Blood Junkie, a film gnarly enough to be distributed by Troma!). Fifteen years after a triple homicide tore their Little League team and community apart, four friends reconvene to pay tribute to their fallen coach and teammates, only to be menaced by a mysterious figure hidden behind an antique umpire's mask and brandishing a nail-covered baseball bat. This bloody, brutal romp creates a memorable new slasher villain to place alongside Jason Voorhees, Ghostface and Michael Myers.

Preceded by:
Demigodz (Of Tha Law) | Directors: Kurt Raether, WC Tank



Date America
(USA / 2012 / Directors: Bob Murray, Amy Neuenschwander)

Wisconsinite Bob Murray finds himself in the awkward position of being a bachelor at 34 while all of his peers are settling down and starting families. Wondering if it's the Milwaukee dating scene or his own neuroses that have kept him single over the years, he embarks on an ambitious journey from Milwaukee to Los Angeles, with eight dates scheduled in eight different cities, to put his theory to the test. What begins as an attempt to utilize the ever-popular medium of online dating as a means of finding true love turns into a journey of self-discovery as Bob traverses the country.

Preceded by: The Cucaranchula | Director: Kate Balsley


The Milwaukee Show

These filmmakers may hail from the Milwaukee area, but their celebrations of the cinematically succinct have a truly worldwide scope, displaying a diversity of locales and styles (from sci-fi to stop-motion to experimental) in a program that showcases our thriving and vital local filmmaking scene.


Before You (USA / 2013 / Director: Michael T. Vollmann)
Begong Ava, Begong Hele (USA / 2013 / Director: Heather Hass)
Cinders (USA / 2013 / Director: Andrew Gralton)
The Glitch (USA / 2013 / Director: Zijian Yan)
I Am (USA / 2013 / Director: Karim Raoul)
Love You Still (USA / 2013 / Director: Michael Viers)
Margaret Hue Would Like To Go To Mars. (USA / 2013 / Director: Anna Sampers)
Pluto and the Vessel (USA / 2013 / Director: Harrison Browning)
The Quiet City (USA / 2013 / Director: Brian McGuire)
Spectacle! (USA / 2013 / Directors: Andrew Swant, WC Tank, Erik Ljung, Kurt Raether, Carol Brandt)
USPS (USA / 2013 / Director: Jessica Farrell)
Within A Stone’s Throw (USA / 2013 / Director: Cecelia Condit)
  
The Milwaukee Youth Show
We believe the children are the future here at the Milwaukee Film Festival and this showcase of under-18 talent from in and around our great city is the proof. Documentaries, stop-motion animation, music videos and silent film are just a handful of the styles these young filmmakers will put on display, a testament to the power of arts education.


Alexander Copenhagen and the Key of Destiny (USA / 2012 / Director: Thomas Fleischmann)
Birth of a Dream (USA / 2013 / Director: Megan Sai Dogra)
Copycat (USA / 2013 / Director: Hudson Miller)
#DiseasesSpreadLikeRumors (USA / 2012 / Directors: Participants in Boys & Girls Clubs of Greater Milwaukee Programs)
#DontBeAnOffenderToThoseWhoLoveTheSameGender (USA / 2012 / Directors: Participants in Boys & Girls Clubs of Greater Milwaukee Programs)
Flowers in Bloom (USA / 2013 / Director: Alejandra Salinas)
#ForgetTheHumpIfYouDontWantTheBump (USA / 2012 / Directors: Participants in Boys & Girls Clubs of Greater Milwaukee Programs)
Generation Empowered: The Dream is Now (USA / 2013 / Director: LaTonya Matlock)
How Geoffrey Broke His Glasses (USA / 2012 / Director: Jamie Mercado)
In The Mind (USA / 2013 / Director: Brian Mercado)
The Journey Home (USA / 2013 / Directors: Elizabeth Zingsheim, Mara Matovich)
Night of the Beanie Babies (USA / 2013 / Directors: Josh Frank, Ryan Coenen)
Pancakes (USA / 2013 / Director: Lauren Markey, Brian Ore)
Phone Wars (USA / 2012 / Director: Holly Kraemer, Kevin Salgado)

Poppin’ (USA / 2013 / Directors: Lauren Markey, Brian Ore)
Spider Dog (USA / 2013 / Directors: Gabriella Avila, Alexia Justo)
Sun Up,Sun Down (USA / 2013 / Director: Felicia McGowan)

Toytonic (USA / 2013 / Directors: Students from Audubon Technology and Communication Center)

Penelope
(USA / 2013 / Director: Brad Lichtenstein)

An experiment is underway at the Luther Manor retirement community in Milwaukee: Playwright Anne Basting

and Sojourn Theatre are working alongside staff and students from the University of Wisconsin-Milwaukee to engage those living in this nursing home to stage a performance of "Finding Penelope," an original interpretation of Penelope's story from Homer's "Odyssey." Director Brad Lichtenstein (As Goes Janesville, MFF 2012) helms this portrait of a community looking to raise the bar on bingo. It asks the important question: Can we age more meaningfully?

Preceded by: Habibeh (Thicker Than Paint) | Director: Maryam Sepehri


Sign Painters
(USA / 2013 / Directors: Faythe Levine, Sam Macon)

An expressive call to return to the handcrafted and tactile before entire city landscapes are swallowed by uninspired homogeneity, Sign Painters is an affectionate look behind the curtains of the custom calligraphy and ornate beauty that comprise the trade. With dozens of sign painters as their subjects, co-directors Faythe Levine (Handmade Nation) and Sam Macon provide an unprecedented glance at the process behind sign painting as well as its history: from the apocalyptic 1980s, when computers and die-cut vinyl lettering with its quick and cheap allure nearly brought the movement to its knees, to its thriving past and hopeful future.

Preceded by: Strings of Colors | Director: Sharan Mohanadoss



When The King Tilts
(USA / 2013 / Director: Drew Britton)
This psychological chamber piece follows best friends Carol and J.L. as they arrive unannounced at a quaint Door County bed-and-breakfast in search of a family reunion location. They're able to convince Sam, its owner, to stay open a couple of days past the end of season. As they get to know Sam, Carol and J.L. have divergent opinions of his guarded personality and secretive actions. The women find themselves caught in a web of psychological manipulation and hostility in this finely shot and acted examination of the ways people react when faced with the unknown.

Preceded by: Waiting for Berta | Director: Laimir Fano



Cream City Cinema is Presented by John Axford.
Media Sponsor: OnMilwaukee.com




The 2013 Milwaukee Film Festival runs September 26 – October 10, 2013 at the Landmark Oriental Theatre, Landmark Downer Theatre, and Fox-Bay Cinema Grill. Passes and ticket 6-packs for the 2013 Milwaukee Film Festival are currently available at discounted rates exclusively online at mkefilm.org/tickets. Festival passes and 6-packs are selling quickly, with early numbers already surpassing the total sold in all of 2012.

Tickets for individual screenings will be available through Milwaukee Film Festival Box Office starting September 11 for Milwaukee Film Members and September 12 for the General Public.


The 2013 Milwaukee Film Festival program book will first be available at the East Town Farmer’s Market in Cathedral Square on Saturday, September 7, from 9:00 am – 1:00 pm. The book will be available at multiple locations throughout the city starting Sunday, September 8.

Watch this space for more on What to See during the fest and all the news 

Home Screening Room - Gatsby, Pain, Gain and Anarchy

Movies, movies, movies – this week has a bunch of pain…and you may also gain!

Big Releases from Theaters
The Great Gatsby – Rated PG-13 (Leonardo, DiCaprio, Carey Mulligan)

Pain and Gain – Rated R (Mark Wahlberg, Dwayne Johnson)

Two decent size releases this week that found an audience in theaters earlier this year. The DiCaprio led version of Gatsby and flashy with a twist. Diretor Baz Luhrman adds a different soundtrack that gives scenes in the film a whole different vision. And I love Wahlberg and Dwayne Johnson so even if they aren’t in a movie that will win awards of any kind, I have to see it.

Also New This Week

At Any Price – Rated R (Zac Efron, Dennis Quaid)



Elementary: The First Season – Not Rated

Grey’s Anatomy: Complete Ninth Season – Not Rated

The Many Adventures of Winnie The Pooh – Rated G

Pawn Shop Chronicles – Rated R (Norman Reedus, Elijah Wood)



The Reluctant Fundamentalist –Rated R (Riz Ahmed, Kate Hudson)



Scatter My Ashes at Bergdorf’s – Rated PG-13 (William Fichtner, Mary-Kate Olsen)



Sons of Anarchy:  Season Five – Not Rated

Stranded – Not Rated (Christian Slater, Brendan Fehr)

Super Buddies– Rated G (John Ratzenberger, Jason Earles)



The Walking Dead: The Complete Third Season – Not Rated


Wow, TV to DVD is heating up this week with a couple extremely popular broadcast and cable series’. For fans, The AMC series The Walking Dead and FX series Sons of Anarchy may rule the roost this week. But they are not alone as the 9thseason of Grey’s Anatomy offers up some special treats and the first season of Elementary will have everyone sleuthing. But for me, I’m about the movies…which should surprise no one. At Any Price looks like an interesting film feturing Zac Efron and Dennis Quaid. But the one that my daughter loves in the library….Super Buddies! With her love of dogs, the buddies are back and she has to see them!

Final Score

The Great Gatsby is a new telling of a classic story and is worth adding to the collection. PLUS – I’m curious as all about Pain and Gain. And finally, Super Buddies looks like more buddy fun for my nine year old.


Pop Popcorn, Do the DietDew, and Bust out the Blu and remember to Save Me A Seat!


Selasa, 20 Agustus 2013

Home Screening Room - It's Baacck, Sorry for being away

It's been away for a couple weeks -- but after some time away, I've got the column back up and running. So here is this week's new releases to DVD / Blu-ray. 



Big Releases from Theaters
Amour – Rated PG-13 (Emmanuelle Riva)
Epic  – Rated PG (Josh Hutcherson, Amanda Seyfried)
Scary Movie 5 – Rated PG-13 (Ashley Tisdale, Simon Rex)

Three titles this week releasing that come from varied theatrical runs with three different target audiences. Foreign film Amour garnered Emmanuelle Riva some Academy Award love this year - perfect for an older more seasoned viewer. Epic is for the kids and had an over $100 million theatrical run in theaters this spring. Scary Movie 5, well it's the 5th Scary Movie...need I say more. Teens and young adults are the target for this horror/comedy.


Also New This Week
Boardwalk Empire: Thc Complete Third Season
The Good Wife: The Fourth Season
Mike and Molly: The Complete Third Season
NCIS: Los Angeles - The Fourth Season
NCIS: The Tenth Season

No One Lives - Rated R (Luke Evans)

 

Rapture-Palooza - Rated R (Anna Kendrick, Craig Robinson)



Revenge: The Complete Second Season

A very interesting series of releases that will bring everyone up to speed on some of their favorite TV Series'. For those of you who don't have HBO - Boardwalk Empire is the award winning series that comes with Steve Buscemi and from some of the best in the business.

And Finally
Killing Season - Rated R (Robert DeNiro, John Travolta)

This is one that comes straight to video, and that can scare you when it has these two talented individuals in the leads. I did get a chance to see and advanced copy of the DVD and it's strictly the movie with an extra commentary track for extras. The movie, literally features about a dozen actors and focuses on a cat and mouse hunt as John Travolta's character comes hunting for DeNiro years after an intense moment of war. Didn't much care for Travolta's over the top accent, but it is worth a peek for those of you looking for something that missed theaters.




Final Score
Nothing really huge to go pick up this week -- mainly niche releases that I can see those who are fans taking home, but the rest of you will more than likely simply rent the titles that interest you.

Pop Popcorn, Do the DietDew, and Bust out the Blu and remember to Save Me A Seat!




Milwaukee Film Festival 2013 - Sound Vision

 


Today, the Milwaukee Film Festival, announced their Sound Vision lineup for 2013. (music documentary showcase). Their are eight films specifically being released in the lineup this year and the topics area as varied as a spin down the radio dial. 

From today's release --  

“We have been screening music documentaries since day one of the Milwaukee Film Festival, but last year was the first time we pulled them together into their own program, Sound Vision,” explains Artistic & Executive Director Jonathan Jackson. “Milwaukee's music community didn't let us down—the films were incredibly well-attended. I'm really looking forward to screening my all-time personal favorite, Stop Making Sense, alongside the rest of these varied, soon-to-be classic music docs.”

Sound Vision’s Media Sponsors: WMSE 91.7FM & The Pabst Theater

  
SOUND VISION LINE-UP:

Bayou Maharajah: The Tragic Genius of James Booker

(USA / 2013 / Director: Lily Keber)

He toured with Aretha Franklin, recorded with Little Richard and mentored a young Harry Connick Jr.; yet despite his standing in the New Orleans jazz scene, James Booker, the self-described “Black Liberace,” remains mostly unknown. That won’t long be the case with Bayou Maharajah, an incisive look at the man Dr. John called “the best black, gay, one-eyed junkie piano genius New Orleans has ever produced.” Using never-before-seen concert footage, director Lily Keber has crafted a joyous yet unsparing look at a man whose wild imagination and destructive appetites found their only outlet in his virtuoso piano playing.


Big Star: Nothing Can Hurt Me
(USA / 2012 / Director: Drew DeNicola)

  In the early ’70s, alternative rock forefathers Big Star released three albums that, while critically acclaimed,disappeared due to poor record sales. As decades passed, their legend grew, influencing such rock luminaries as R.E.M., The Flaming Lips and Wilco, while seeing all three albums land on the Rolling Stone top-500-of-all-time list. Even with this renaissance, their amazing story has never been properly told until now. It’s a moving portrait of what is arguably rock music's greatest cult phenomenon, a group nearly forgotten despite having left such a massive imprint on the rock ’n’ roll landscape.

Brothers Hypnotic

(USA / 2013 / Director: Reuben Atlas)

For the eight young men who comprise the joyful and bombastic Hypnotic Brass Ensemble, brotherhood is literal: They're all sons of anti-establishment jazz legend Phil Cohran. Raised on a steady diet of jazz and funk crossed with Black Consciousness on Chicago's South Side, this jazz cooperative has moved from busking on the streets to collaborating with Mos Def and opening for Prince. This coming-of-age doc is filled with their unremittingly unique brand of music and showcases their struggle to maintain the values they were raised on when confronted with the promise of record deals and musical stardom.


Enzo Avitabile Music Life
(Italy / 2012 / Director: Jonathan Demme)

Academy Award-winning director Jonathan Demme returns to the success of Stop Making Sense with this documentary spotlight on a lesser-known quantity to Americans, Italian multi-instrumentalist Enzo Avitabile. Taking a fly-on-the-wall approach to Enzo’s musical process and life story (doubling as a gorgeous portrait of Naples in the process), the film is host to remarkable jam sessions between the versatile Avitabile and a collection of amazing world music talents all performing sonic wizardry on rare and bizarre instruments native to their home countries. It’s a fascinating look at a remarkable life, filled to the brim with unforgettable musical moments.

The Girls in the Band
(USA / 2011 / Director: Judy Chaikin)

An award-winning look at the untold stories of female jazz and big band instrumentalists and the uphill climb they faced just to be heard, The Girls in the Band shines an entertaining light on women cast to the margins of jazz history. Subject to punishing sexism and racism, these women powered through all obstacles with good humor, steadfast determination and musical mastery as their guide. This long-overdue celebration showcases their groundbreaking journeys from the late ’30s all the way to today (influencing contemporaries such as Grammy-winner Esperanza Spalding) in a “real crowd-pleaser” that “may prompt a rewrite of jazz history” (Robert Koehler, Variety).

Muscle Shoals
(USA / 2012 / Director: Greg “Freddy” Camalier)

“Free Bird,” “I’ll Take You There,” “Brown Sugar” — the tiny Alabama town of Muscle Shoals is home to these and many more hit records that shaped the course of popular music. This rousing doc takes a look at the people (Rick Hall and “The Swampers,” his genius rhythm section) behind the town's sound, whose legendary FAME studio became a creative oasis where talent trumped skin color in an age and state where segregation ruled the day. Jagger, Aretha, Simon and Bono all lend their voices to a documentary that showcases the lasting power of the Muscle Shoals sound.


Narco Cultura
(USA / 2012 / Director: Shaul Schwarz)

In Ciudad Juarez, thousands of homicide cases overtax the crime scene units as drug cartels slowly tilt the system’s odds in their favor. Meanwhile, across the border, nestled in the safe embrace of El Paso, Texas, musicians work feverishly to meet growing demand for narco-corridos, waltz-like ballads that lionize the blood-soaked escapades of traffickers and kingpins (who play them over police radio channels in the wake of their violent acts) idolized for having escaped poverty and squalor. Cutting between these disparate scenes and showcasing a largely unknown counterculture taking hold across both borders, director Shaul Schwarz examines how a calamitous lifestyle remains so appealing as Narco Cultura continues to grow.

Stop Making Sense

(USA / 1984 / Director: Jonathan Demme)

Only the greatest concert film ever made, Jonathan Demme’s stunning collaboration with Talking Heads is a high-energy spectacle that gathers momentum throughout, allowing us to get swept up in the boundless energy of charismatic frontman David "Don't Touch Me, I'm a Real Live Wire" Byrne. Demme smartly trains his camera on the performers, allowing the band’s kinetic performance to rule the day in an environment where eminently danceable tunes coexist alongside ingenious stagecraft. A must-see for fans of concert films, this 35 mm screening is a “Once in a Lifetime” experience of a towering achievement liable to leave MFF audiences dancing in the aisles.

In addition to the films, Milwaukee Film is also proud to partner with The Hotel Foster to present Soundtrack, their second annual live music series. Featuring live music for 14 straight nights (every night of the festival except Opening Night). 

The 2013 Milwaukee Film Festival runs September 26 – October 10, 2013.

For more information on Sound Vision and the rest of the 2013 Milwaukee Film Festival, visit mkefilm.org.

Watch this space for more coverage all the way through the 2013 festival.  

Selasa, 13 Agustus 2013

Milwaukee Film Festival 2013 - Cinema Holigante

Are you a fan of late night movies? You know those movies that will be remembered because you saw them in a crowded room at the end of a long day. The ones you want to scare you a little different than most. The ones you want to remember in a different way. 

Milwaukee Film has you covered for the second year with, as they describe it..."all the raunchy, gory, scary, fun, bizarre and possibly offensive midnight, cult and genre films you could possible cram into one film festival program."

They continue by letting us know - This year, Cinema Hooligante will feature screenings of six of the best modern genre films on the current festival circuit. There will also be a pair of incredibly rare, one-night-only 35mm screenings of two drastically different genre classics: Bruce Lee’s 1973 kung-fu classic, Enter the Dragon (celebrating its 40thanniversary), and 2001: A Space Odyssey, presented by Milwaukee Brewers pitcher John Axford.


CINEMA HOOLIGANTE LINE-UP:


100 Bloody Acres

(Australia / 2012 / Directors: Cameron Cairnes, Colin Cairnes)
 


Following in the proud cannibalism-as-business-model tradition of films from Soylent Green to Silence of the Lambs comes the tale of the Morgan brothers and their curiously potent organic fertilizer. Unfortunately, a scarcity of roadside product has seen demand far outstrip their supply. Younger brother Reg (Damon Herriman of Justified) sees a solution to their woes — in the form of three stranded travelers — that might also finally net his older brother's respect. But when he begins to fall for Sophie, meant for man-mulch and whose travel situation is more complicated than Reg could possibly realize, this wildly entertaining horror-comedy becomes violently and hilariously complicated.


2001: A Space Odyssey
Presented by John Axford
(USA, UK / 1968 / Director: Stanley Kubrick)




A movie about life, the universe and everything, Stanley Kubrick’s triumphant sci-fi classic is one of cinema’s towering achievements, a film whose awe-inspiring visuals, meticulous composition and editing demand the sort of big-screen treatment that is so luckily being afforded us with this 35 mm screening. 2001also heralds the return of Brewers fireballer John Axford to the MFF, bringing his expertise as a graduate of Notre Dame’s film program to bear as he presents this, one of his favorite films, to our audience — a rare opportunity to see one of the greatest movies ever made on film among fellow cinephiles.

Enter the Dragon

(Hong Kong, USA / 1973 / Director: Robert Clouse) 
Bruce Lee’s tragically short life allowed us only a scant few opportunities to see him lay waste to all who surrounded him with his awesome display of martial arts mastery. Enter the Dragon might be the best of them: Going undercover at the behest of an intelligence agency, Lee is entered into a bone-crunching karate tournament hosted by the dastardly Han in order to expose the drug trafficking and human slavery Han engages in on his secret island fortress. This 35 mm screening, during the film’s 40th anniversary, is skull-rattling, jump-kicking appointment viewing for any and all action fans.


Here Comes the Devil
(Mexico / 2012 / Director: Adrián García Bogliano)


Felix and Sol’s desire for some amorous alone time leads them to allow their children Sara and Adolfo to explore a hillside cave while on vacation in Tijuana. The children’s subsequent disappearance causes no small amount of anguish for the young parents, only for the kids to reappear the next day. It becomes clear, however, that the children didn’t come back alone. Director Adrián García Bogliano deftly blends art house and exploitation cinema in this tale of parental paranoia, piling on the tension and gratuitous nudity as this chilling, hypersexual tale careens toward its shocking and violent final revelations.

Sightseers
(UK / 2012 / Director: Ben Wheatley)

A road-trip vacation takes a turn for the gruesome in this pitch-black comedy from cult director Ben Wheatley (Kill List) and executive producer Edgar Wright (Shaun of the Dead). Chris means to show the sheltered Tina the British Isles and their many wonderments (sample destination: The Pencil Museum) in his caravan. Their sweet sojourn turns bitter after a violent encounter with a persnickety townsperson turns their idyllic journey into a gore-soaked romp through the countryside. Wheatley’s droll humor meshes exquisitely with his shocking bursts of arterial artistry, allowing for a horrifyingly funny culture critique in the proud British tradition.

The Rambler
(USA / 2013 / Director: Calvin Reeder)

Fresh out of prison, our laconic protagonist (Dermot Mulroney) abandons his ramshackle existence to start a

slow meander toward his brother’s Oregonian ranch. He encounters increasingly surreal people and places on this horrific journey that feels like the demented hellspawn of David Lynch and the Coen brothers. A cinematic middle finger to conventional narrative, form and content, The Rambler will bewilder and engage you in equal amounts, but there’s no doubt that director Calvin Lee Reeder’s immaculately nightmarish trip through American back roads (call it Route 666) will stick with you long after our main character’s grip on reality has become irrevocably unstuck.

Vanishing Waves
(Lithuania, France, Belgium / 2012 / Director: Kristina Buozyte)

Fans of MFF 2012's Beyond the Black Rainbow take note: Vanishing Wavesis your ticket to trippy sci-fi delirium at this year's festival. Something like “Altered States” crossbred with “Inception,” but with the determination to mine the inescapable sexuality at the forefront of our subconscious, the film follows Lukas as his attempts to communicate with the comatose Aurora through sensory deprivation result in a hauntingly erotic journey through their united surrealistic dreamscapes. Lukas’ obsession grows deeper as he hides these trysts from his fellow researchers and probes further into the recesses of Aurora's subconscious to rescue her from certain doom.

We Are What We Are

(USA / 2013 / Director: Jim Mickle)

In the wake of the family matriarch’s untimely passing, father Frank Parker tasks his teenage daughters Iris and Rose with taking up her role in the family’s sacred traditions. However, the young women find themselves

questioning these rituals as a local doctor begins uncovering the truth about what happens behind the Parkers’ closed doors. The latest film produced by Whitefish Bay native Jack Turner (ME @ THE ZOO, MFF 2012) is a slow-burn descent into sheer terror tailor-made for fans of 2009 festival favorite The House of the Devil. We Are What We Are methodically amps the suspense on this American Gothic to almost-unbearable levels before unleashing a cavalcade of violence that will leave even the most battle-hardened horror fanatic feeling queasy.

The 2013 Milwaukee Film Festival runs September 26 – October 10, 2013.

For more information on Cinema Hooligante and the rest of the 2013 Milwaukee Film Festival, visit mkefilm.org.

Watch this space for more coverage all the way through the 2013 version of this festival.